REMARKS ON COLOR series

FAR AWAY/ABSTRACT/DANDELION/GREEN FIELD (from the series REMARKS ON COLOR)  screenprint & alkyd enamel on birch plywood, 64 1/2" x 20" x 1 1/2", 1996

REMARKS ON COLOR series

What's in a color name? In this body of work, I drew on color systems from dozens of paint companies. Each name is metaphor, poetry written by commerce. Sequenced vertically or horizontally, the lyric extends in the direction of oblique, deadpan narrative.

REMARKS ON COLOR series

FAR AWAY/ABSTRACT/DANDELION/GREEN FIELD (from the series REMARKS ON COLOR) (detail) 1996

REMARKS ON COLOR series

STILLWATER/BREAKWATER/EDGEWATER/WATERFALL (from the series REMARKS ON COLOR)  screenprint & alkyd enamel on birch plywood, 64 1/2" x 20" x 1 1/2", 1997, collection: The San Francisco Museum of Modern Art, San Francisco CA

REMARKS ON COLOR series

BLEACHED OAK/          / BURLWOOD/TREE BARK (from the series REMARKS ON COLOR)  screenprint & alkyd enamel on birch plywood, 64 1/2" x 20" x 1 1/2", 1998

REMARKS ON COLOR series

ABSTRACT/OASIS (from the series REMARKS ON COLOR)  screenprint & alkyd enamel on birch plywood,18 1/2" x 24" x 1 1/2", 1995-6, collection: The San Jose Museum of Art, San Jose CA

REMARKS ON COLOR series

NUDE/NADA/NEUTRAL (from the series REMARKS ON COLOR)  screenprint & alkyd enamel on birch plywood, 10 1/4" x 40" x 1 1/2", 1995-6, collection: The San Jose Museum of Art, San Jose CA

REMARKS ON COLOR series

PREFACE/PROLOGUE/PRELUDE (from the series REMARKS ON COLOR)  screenprint & alkyd enamel on birch plywood, 10 1/4" x 40" x 1 1/2", 1998

REMARKS ON COLOR series

REAL BLUE/TRUE BLUE/PERFECT BLUE/ULTIMATE BLUE/ALWAYS BLUE/ENDLESS BLUE/BLEU  (from the series REMARKS ON COLOR)  screenprint & alkyd enamel on birch plywood, 12 3/4" x 124" x 1 1/2", 1998, collection: The Panza Collection, Varese IT