bio
WHAT & WHERE
installation view:
Griffin, Santa Monica
2006




Blank Books
installation view:
Griffin, Santa Monica
82” x 48” x 1 1/4”
enamel screenprint on acrylic
on canvas over panel
2006

Blank Books
(detail)
Griffin, Santa Monica
enamel screenprint on acrylic
on canvas over panel
2006


WHAT
installation view
Griffin, Santa Monica
2006




WILL
installation view:
Griffin, Santa Monica
82” x 26” x 1 1/4”
enamel screenprint on acrylic
on canvas over panel
2006

Shades of Grey (Dewey Decimal)
70 pieces at 8” width; height varies
installed: 64” x 560” x 1 1/4”
Griffin, Santa Monica
enamel screenprint on acrylic
on canvas over panel
2005

WHAT & WHERE
installation view:
Griffin, Santa Monica
2006




CLIMAX to CLIMAX
installation view:
Griffin, Santa Monica
241/4” x 211/2” x 1 1/2”
enamel screenprint on acrylic
on canvas over panel
2006

CLIMAX to CLIMAX
241/4” x 211/2” x 1 1/2”
enamel screenprint on acrylic
on canvas over panel
2006



CHAMPION to WARRIOR
(detail)
76 1/2” x 22 1/2”
enamel screenprint on acrylic
on canvas over panel
2006


WHY + BECAUSE + WHY
installation view:
Akira Ikeda Gallery, Taura
2006




HERE + THERE + HERE
(detail)
dimensions vary
installed: 182” x 690” x 6”
Akira Ikeda Gallery, Taura
chalk powder on existing structure
(torpedo channels)
2006
HERE + THERE + HERE
(detail)
dimensions vary
installed: 182” x 690” x 6”
Akira Ikeda Gallery, Taura
chalk powder on existing structure
(torpedo channels)
2006
WHY + BECAUSE + WHY
installation view:
Akira Ikeda Gallery, Taura
2006




WHY + BECAUSE + WHY
installation view:
Akira Ikeda Gallery, Taura
17 pieces, each 60” x 44” or 48” x 3”
acrylic & graphite on canvas
installed: 60” x 1094” x 8”
2006

RISE + FALL + RISE
(detail)
dimensions vary
installed: 96” x 528”
Akira Ikeda Gallery, Taura
acrylic on wall
2006

WHY + BECAUSE + WHY
(detail)
17 pieces, each 60” x 44” or 48” x 3”
acrylic & graphite on canvas
installed: 60” x 1094” x 8”
Akira Ikeda Gallery, Taura
2006

US + THEM + US
(detail)
dimensions vary
installed: 39” x 240” x 8”
Akira Ikeda Gallery, Taura
cut & spliced dictionaries
(English-Japanese & Japanese-English)
2006
US + THEM + US
(detail)
dimensions vary
installed: 39” x 240” x 8”
Akira Ikeda Gallery, Taura
cut & spliced dictionaries
(English-Japanese & Japanese-English)
2006
Lever Labyrinth
installation view:
Lever House, New York
cut paper
2005



Lever Labyrinth
installation view:
Lever House, New York
cut paper
2005



Lever Labyrinth
installation view:
Lever House, New York
cut paper
2005



Lever Labyrinth
book incorporating
paper from installation,
photos, drawings, essays
edition of 300
2005


Labyrinth of Greens
90” x 120” x 1 1/4”
household gloss enamel on poplar
2005




Accounting
(Everything Under the Sun)
installation view:
Akira Ikeda Gallery, Berlin
48” x 28 1/2”
ledger paper cut & collaged
onto museum board
2004
Accounting
(Everything Under the Sun)
(detail)
48” x 28 1/2”
ledger paper cut & collaged
onto museum board
2004

Argument Concerning Red
installation view:
Akira Ikeda Gallery, Berlin
48” x 72” x 1 1/4”
household gloss enamel on poplar
2004


Greys Between Greys
installation view:
Akira Ikeda Gallery, Berlin
48” x 84” x 1 1/2”
household gloss enamel on MDF
2004


Index
installation view:
Akira Ikeda Gallery, Berlin
108” x 60”
computer punch cards cut &
collaged onto museum board
2004

Index
(detail)
108” x 60”
computer punch cards cut &
collaged onto museum board
2004


Blue As a Form of Night
(foreground)
installation view:
Akira Ikeda Gallery, Berlin
48” x 72” x 1 1/4”
household gloss enamel on poplar
2005

Twigs of a Tree, Trees of a Forest
20 units, each 96” x 4” x 2”
installed: 96” x 240” x 12”
Akira Ikeda Gallery, Berlin
2004



Two Cities
dimensions vary
installed: 60” x 120” x 4”
Griffin, Santa Monica
cut paper set flush
into existing wall
2005

Two Cities
(detail)
dimensions vary
Griffin, Santa Monica
cut paper set flush
into existing wall
2005

Study for “Yellow Interval”
digital photograph
of paper maquette
Brooklyn NY
2004



Yellow Interval
dimensions vary
installed: 108” x 240” x 6”
Akira Ikeda Gallery, Berlin
cut paper
2005


Yellow Interval
(detail)
dimensions vary
installed: 108” x 240” x 6”
Akira Ikeda Gallery, Berlin
cut paper
2005

Yellow Interval
dimensions vary
installed: 108” x 240” x 6”
Akira Ikeda Gallery, Berlin
cut paper
2005


Architecture of the Air
dimensions vary
installed: 144” x 936”
Griffin, Santa Monica
household gloss enamel
with enamel screenprint
on existing wall
2004
Buildings Made of Sky
48” x 72”
installation view:
Griffin, Santa Monica
framed pigment prints
from digital photographs
2004

Buildings Made of Sky
(detail)
pigment print from
digital photograph
2004



One Million Footprints
40” x 48”
collaged pigment prints from
digital photographs of laser-cut
plexi representing
every footprint of every
building in Manhattan
2004
One Million Footprints
(detail)
40” x 48”
collaged pigment prints from
digital photographs of laser-cut
plexi representing
every footprint of every
building in Manhattan
2004
Red Section
dimensions vary
installed: 122” x 120” x 8”
Henry Urbach Architecture, New York
cut paper between existing walls
2004


Red Section
(detail)
dimensions vary
installed: 122” x 120” x 8”
Henry Urbach Architecture, New York
cut paper between existing walls
2004

Manhattan Twice Removed
installed: 36” x 240” x 1/4”
Henry Urbach Architecture, New York
laser-cut plexi suspended
by monofilament line
2004


Manhattan Twice Removed
(detail)
installed: 36” x 240” x 1/4”
Henry Urbach Architecture, New York
laser-cut plexi suspended
by monofilament line
2004

A,N,S,W,E,R,S,&,Q,U,E,S,T,I,O,N,S,
8 1/2” X 11” X 3”
800 pages: offset, case bound,
& diecut with screenprinted plexi
box & cut paper
edition of 100
2004

COMPLETE & FINAL COLOR THEORY...
installation view:
The Bohen Foundation, New York
2004




COMPLETE & FINAL COLOR THEORY...
installation view:
The Bohen Foundation, New York
2004




Floor-to-Ceiling Blues
(detail)
dimensions vary
installed: 44” x 236” x 20”
The Bohen Foundation, New York
cut paper
2004

Wall-to-Wall Reds
dimensions vary
installed: 22” x 840” x 40”
The Bohen Foundation, New York
2004



Manhattan Double-Blind
(detail)
10 framed pieces on
opposing walls
installed: 52” x 120”/wall
ballpoint pen removal of pigment
from carbon paper
2004
Surface Tension
installed: 72” x 72” x 1/4”
The Bohen Foundation, New York
9,000 numbered map pins
with maps collaged onto
mulberry paper
2004

Labyrinth of Red
five sections, each approx. 90” x 120” x 1”
installed: 120” x 120” x 240”:
The Bohen Foundation, New York
enamel screenprint on gloss household enamel
on poplar, suspended by braided steel cable
2003-4

Labyrinth of Red
(detail)
five sections, each 90” x 120” x 1”
installed: 120” x 120” x 240”:
The Bohen Foundation, New York
enamel screenprint on gloss household enamel
on poplar, suspended by braided steel cable
2003-4
COMPLETE & FINAL COLOR THEORY...
installation view:
The Bohen Foundation, New York
2004




Space, Time & the Weather
(detail)
40 units, each 96” x 4” x 2”
installed: 96” x 316” x 12”
The Bohen Foundation, New York
2004